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Dad New Blood Awards 2026 A Student Project About Periods Wins Both Of The Years Top Prizes
The D&AD New Blood Awards 2026 highlighted the importance of addressing taboo subjects in branding and marketing, as demonstrated by the winning project 'Blood Stocks', which reframes menstruation as a medical asset. This approach not only garnered top honors but also signifies a shift in brand strategy towards more socially responsible and meaningful narratives that resonate with audiences.
Creative Boom: News Creative Industry D&AD New Blood Awards 2026: a student project about periods wins both of the year's top prizes Blood Stocks, a Danish proposal to turn menstruation into a medical asset, was the only project at tonight's ceremony in London to take both a Black Pencil and a White Pencil. Here's why it struck such a chord. Written By: Katy Cowan 1 July 2026 Here's a lovely thing. The work that defined this year's D&AD New Blood Awards wasn't a glossy product film or a clever brand stunt, but a thoughtful, brave proposal about menstruation – and it earned its makers both of the night's top honours.
Announced yesterday evening at The Steel Yard in London, Blood Stocks proposes treating menstruation as a medical asset rather than something to be quietly managed and never spoken about. It was the only project in the entire programme to take both a Black Pencil, D&AD's highest honour, and a White Pencil, the award kept back for creativity that does some good in the world. Created in response to the Canesten New Blood brief, in collaboration with Design Bridge & Partners, Blood Stocks is the work of Jens Kühnel and Kirstine Vilsen, two students from DMJX, the Danish School of Media and Journalism.
The idea is a first-of-its-kind donation model tied to the menstrual cycle, one that turns monthly donors into active stakeholders in women's health research. It takes a subject long buried under stigma and reframes it as something genuinely valuable. The judges clearly agreed. As many of us know, Black Pencils are rare things. Only two were handed out this year, and the second went to Kuwait. Young Explorer: Independence with a Snap, created for Wise by Mohammed Al Sane, tackles the tender moment when a child starts to need a little financial independence while parents still want a safety net.
At its heart is 'The Snap', a physical card that snaps in two to mark a handover of trust, paired with digital touches like an activity map and tap-to-transfer. Creativity that does good The three remaining White Pencils all went to work with real heart. Play Aid, by Daniela Santucci and Santiago Cáceres at Miami Ad School Madrid in Spain (for the Affinity and Canva brief), redesigns the inside of humanitarian food-aid packaging as printed play boards, giving children living through conflict something to play with at no extra shipping weight or cost.
2Integrate, by Guus Vercoutere and Mats Mondy at LUCA School of Arts in Belgium (the Duolingo brief), works with UNHCR to turn language learning into a survival tool, helping asylum seekers communicate in urgent, real-world moments as they rebuild their lives. And Launch Pads, by a four-strong team at Nanyang Academy of Fine Arts in Singapore (Affinity and Canva again), designs period products for girls who start their periods young, made to help a first period feel ordinary rather than taboo. In all, 175 Pencils were handed out across the 2026 programme: two Black, four White, 24 Yellow, 42 Graphite and 103 Wood.
Winners came from 29 countries, drawn from more than 7,000 entrants across 78 countries, with 165 judges marking the work against the same standards as the main D&AD Awards. They were responding to 19 briefs from global brands including Twix, HSBC, Duolingo, L'Oréal, Tuborg, Wise, Carrefour and Canesten, which D&AD says makes it the most global group of partners in its history. Denmark was the real standout among the smaller nations, taking a Pencil in all five tiers: Wood, Graphite, Yellow, White and Black.
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The article discusses a significant award-winning project that addresses a taboo subject in branding, indicating a notable shift in industry practices, making it highly relevant and impactful for brand strategy professionals.
